Imtiaz Dharker, born January 31, 1954, is a British poet, artist and video film maker. She has won the Queen’s Gold Medal for her English poetry and was appointed Chancellor of Newcastle University from January 2020. In 2019, she was considered for the position of Poet Laureate following the tenure of Carol Ann Duffy, but withdrew herself from contention in order, as she stated, to maintain focus on her writing.“I had to weigh the privacy I need to write poems against the demands of a public role. The poems won,” said Dharker. For many Dharker is seen as one of Britain’s most inspirational contemporary poets. She was elected a Fellow of the Royal Society of Literature in 2011. In the same year, she received the Cholmondeley Award from the Society of Authors. In 2016 she received an Honorary Doctorate from SOAS University of London.
HOW TO CUT A POMEGRANATE
Imtiaz Dharker
“Never,” said my father,
“Never cut a pomegranate
through the heart. It will weep blood.
Treat it delicately, with respect.
Just slit the upper skin across four quarters.
This is a magic fruit,
so when you split it open, be prepared
for the jewels of the world to tumble out,
more precious than garnets,
more lustrous than rubies,
lit as if from inside.
Each jewel contains a living seed.
Separate one crystal.
Hold it up to catch the light.
Inside is a whole universe.
No common jewel can give you this.”
Afterwards, I tried to make necklaces
of pomegranate seeds.
The juice spurted out, bright crimson,
and stained my fingers, then my mouth.
I didn’t mind. The juice tasted of gardens
I had never seen, voluptuous
with myrtle, lemon, jasmine,
and alive with parrots’ wings.
The pomegranate reminded me
that somewhere I had another home.
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PRAYER
Imtiaz Dharker
The place is full of worshippers.
You can tell by the sandals
piled outside, the owners’ prints
worn into leather, rubber, plastic,
a picture clearer than their faces
put together, with some originality,
brows and eyes, the slant
of cheek to chin.
What prayer are they whispering?
Each one has left a mark,
the perfect pattern of a need,
sole and heel and toe
in dark, curved patches,
heels worn down,
thongs ragged, mended many times.
So many shuffling hopes,
pounded into print,
as clear as the pages of holy books,
illuminated with the glint
of gold around the lettering.
What are they whispering?
Outside, in the sun,
such a quiet crowd
of shoes, thrown together
like a thousand prayers
washing against the walls of God.
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TISSUE
Imtiaz Dharker
Paper that lets the light
shine through, this
is what could alter things.
Paper thinned by age or touching,
the kind you find in well-used books,
the back of the Koran, where a hand
has written in the names and histories,
who was born to whom,
the height and weight, who
died where and how, on which sepia date,
pages smoothed and stroked and turned
transparent with attention.
If buildings were paper, I might
feel their drift, see how easily
they fall away on a sigh, a shift
in the direction of the wind.
Maps too. The sun shines through
their borderlines, the marks
that rivers make, roads,
railtracks, mountainfolds,
Fine slips from grocery shops
that say how much was sold
and what was paid by credit card
might fly our lives like paper kites.
An architect could use all this,
place layer over layer, luminous
script over numbers over line,
and never wish to build again with brick
or block, but let the daylight break
through capitals and monoliths,
through the shapes that pride can make,
find a way to trace a grand design
with living tissue, raise a structure
never meant to last,
of paper smoothed and stroked
and thinned to be transparent,
turned into your skin.