I will love the light for it shows me the way, yet I will endure the darkness for it shows me the stars. — Og Mandino

po_Cavalli-Francesco1Francesco Cavalli (February 14, 1602 – January 14, 1676) was an Italian composer of the early Baroque period. His real name was Pietro Francesco Caletti-Bruni, but he is better known by that of Cavalli, the name of his patron Federico Cavalli, a Venetian nobleman.

Cavalli was the most influential composer in the rising genre of public opera in mid-17th-century Venice. Unlike Monteverdi’s early operas, scored for the extravagant court orchestra of Mantua, Cavalli’s operas make use of a small orchestra of strings and basso continuo to meet the limitations of public opera houses.

Cavalli introduced melodious arias into his music and popular types into his libretti. His operas have a remarkably strong sense of dramatic effect as well as a great musical facility, and a grotesque humour which was characteristic of Italian grand opera down to the death of Alessandro Scarlatti. Cavalli’s operas provide the only example of a continuous musical development of a single composer in a single genre from the early to the late 17th century in Venice — only a few operas by others (e.g., Monteverdi and Antonio Cesti) survive. The development is particularly interesting to scholars because opera was still quite a new medium when Cavalli began working, and had matured into a popular public spectacle by the end of his career.

Cavalli wrote forty-one operas, twenty-seven of which are still extant, being preserved in the Biblioteca Nazionale Marciana (Library of St Mark) in Venice. Copies of some of the operas also exist in other locations. In addition, two last operas (Coriolano and Masenzio), which are clearly attributed to him, are lost, as well as twelve other operas that have been attributed to him, though the music is lost and attribution impossible to prove.